If you want to be the best actor you can be -- you=E2=
=80=99ve got to learn from the best=E2=80=A6 and if you want to be an awesom=
e actor that=E2=80=99s actually working and booking jobs, why not learn from=
those that make the decisions themselves?
On October 11th and 12th, we will have the privilege of hosting our latest w=
eekend class with the Director of Features Casting of HBO Films, Amy Jo Berm=
an. HBO=E2=80=99s movie division produces a broad slate of films that run fr=
om low-budget independents to big-event movies. Amy supervises casting for a=
ll of the HBO original films including Emmy and Golden Globe winning films:=20=
"61*", "Conspiracy," "Wit," "If These Walls Could Talk 2" and "RKO 281," amo=
ng many others. As a Casting Assistant and Associate, she has also worked on=
a variety of television series, pilots and features including Tony Danza's=20=
ABC series "Hudson Street," Nancy McKeon's CBS series "Can't Hurry Love" and=
feature films like "Primary Colors" for Director Mike Nichols, and Disney's=
remake of "The Parent Trap. "
We are thrilled at the new possibilities for Bay Area actors to learn from t=
his amazing professional of the casting industry.=C2=A0 With this experience=
in casting, Amy can teach what is needed in Los Angeles Film and TV Casting=
audition situations and answer questions for actors that want to become com=
petitive and begin working in the LA market. The morning sessions will consi=
st of lecture and question and answer. You will have to the opportunity to f=
ind our ask advice about everything from giving yourself an edge over the co=
mpetition, getting good head-shots, constructing an effective resume, prepar=
ing for auditions and getting into them, staying visible, to what the best w=
ay to approach them is. This is an incredible opportunity to pick the brain=20=
of someone that is responsible for the casting of many critically acclaimed=20=
and award winning films. The afternoons will consist of her coaching actors=20=
in scene work, so you'll get to hear her feedback as well. This will be team=
taught with Nancy Berwid.
Space in all First Take weekly and weekend classes is limited and registrati=
on is done on a first come, first served basis.=C2=A0We already have people=20=
signed up for this class and openings are disappearing quickly. Contact us i=
mmediately to find out the details about this class and how to register.
--
Giovannie Pico
(current student and email announcement girl :) )
=C2=A0First Take
www.firsttake.org
--part1_128.315caeec.2c92a342_boundary--
From dale@theatrebayarea.org Fri Sep 12 19:56:07 2003
From: dale@theatrebayarea.org (Dale Albright)
Date: Fri, 12 Sep 2003 12:56:07 -0700
Subject: [BATA] Final CA$H Workshop of 2003 Coming up SOON!
Message-ID: <000201c37967$e8a92f20$6a01a8c0@dale>
This is a multi-part message in MIME format.
------=_NextPart_000_0003_01C3792D.3C4A5720
Content-Type: text/plain;
charset="us-ascii"
Content-Transfer-Encoding: 7bit
CA$H, Creative Assistance for the Small (company) and Hungry (artist) will
be having its last 2003 workshop THIS weekend. For a current application or
more information about the grants, please visit www.theatrebayarea.org.
This is a great opporuntity not only to get insights on how to better your
own application, but also to pursue a great professional development
opportunity by training to become a panelist for a future round of CA$H.
The postmark deadline for dance is October 17.The theatre deadline has
passed.
Details on the workshop:
Saturday, September 13
Dancers' Group
3252A 19th Street
San Francisco
Application workshop: 10-11:15AM
Peer panel training: 11:30AM-NOON
Please feel free to contact me with any questions!
Dale Albright
Director of Individual Services
Theatre Bay Area
415-430-1140, x14
dale@theatrebayarea.org
Check out these great upcoming TBA events:
CA$H Workshops: Saturday, September 13, 10AM (San Francisco).
Raising More Money: Effective Grantwriting
Part One: Focus on Narrative
Monday, September 15, 6:30-8:30PM (SF)
Headshot Clinic
Monday, September 15, 7-9PM (East Bay)
San Francisco Regional Individual Member Meeting
Monday, September 22, 7-9PM
Raising More Money: Effective Grantwriting
Part Two: Focus on Financials
Monday, September 22, 6:30-8:30PM (SF)
Ask for more info or check out www.theatrebayarea.org
.
------=_NextPart_000_0003_01C3792D.3C4A5720
Content-Type: text/html;
charset="us-ascii"
Content-Transfer-Encoding: quoted-printable
CA$H, Creative Assistance for the Small (company) and =
Hungry
(artist) will be having its last 2003 workshop THIS weekend. For a =
current
application or more information about the grants, please visit
www.theatrebayarea.org.
This is a great opporuntity not only to get insights =
on how
to better your own application, but also to pursue a great professional
development opportunity by training to become a panelist for a future =
round of
CA$H.
The postmark deadline for dance is October 17.The =
theatre
deadline has passed.
Details on the workshop:
Saturday, September 13
Dancers’ Group
3252A 19th Street
San Francisco
Application workshop: 10-11:15AM
=
Peer panel training: 11:30AM-NOON
Please feel free to contact me with any =
questions!
Dale Albright
Director of Individual Services
Theatre Bay Area
415-430-1140, x14
dale@theatrebayarea.org
Check out these great upcoming TBA events:
CA$H
Workshops: Saturday, September =
13, 10AM
(San Francisco).<=
/p>
Raising More
Money: Effective Grantwriting
Part =
One: Focus on
Narrative
Monday, =
September 15, 6:30–8:30PM (SF)
Headshot
Clinic
Monday, September
15, 7–9PM (East =
Bay)
San
Francisco Regional Individual =
Member
Meeting
Monday,
September 22, 7–9PM
Raising
More Money: Effective Grantwriting
Part
Two: Focus on Financials
Monday, =
September 22, 6:30–8:30PM (SF)
Ask
for more info or check out www.theatrebayarea.org.
------=_NextPart_000_0003_01C3792D.3C4A5720--
From Pantheater@aol.com Tue Sep 16 23:40:37 2003
From: Pantheater@aol.com (Pantheater@aol.com)
Date: Tue, 16 Sep 2003 19:40:37 -0400
Subject: [BATA] Improv/Acting Classes Beginning Through Advanced
Message-ID: <5CFCB2D6.6ECA463F.0C374C74@aol.com>
Beginning:
Improv Basics provides a supportive and encouraging place to explore improvisational theater. Learn the basic techniques of the art form while learning to take risks and commit to choices. The perfect class for those looking to try improv or those looking to learn the presentational and public speaking skills improv can develop.
Students will learn to yes'and to their impulses while also learning to silence their inner critic. The class will help you become a better team player, better listener and better presenter. The class is perfect for those interested in exploring improvisational theater.
Intermediate:
Improv Acting and Long Form Basics:
A class designed for those with either prior improv or acting experience looking to explore long- form (improvised plays) while brushing on acting basics from the Miesner and Stanislavsky schools of acting. Students will learn, practice, and combine exercises from traditional theater with those from long form improv. The class will use the techniques to explore long form stories and scene work.
Advanced:
Advanced Improv:
This is the perfect class for those looking to focus on performance level work. This class focuses on scene work, scene work, and more scene work. Pan Theater coach, Doug Kassel, brings his more than thirty years of acting and improv experience to the class. Students will learn to make stronger choices, use advanced improv techniques, and push their skills to new heights. Current members of this class have prior improv performing experience.
Visit our Web site now for more and information and class times:
http://www.pantheater.com/ClassesandWorkshops.htm
About Pan Theater:
Pan Theater provides a safe and supportive place to learn, practice, and perform improvisational theater. All classes are kept small to insure each student gets plenty of stage time in each and every class. Classes are within a short walking distance from Bart.
From deborah@themarsh.org Wed Sep 17 00:21:34 2003
From: deborah@themarsh.org (deborah@themarsh.org)
Date: Tue, 16 Sep 2003 17:21:34 -0700
Subject: [BATA] Volunteer for Jeff Greenwald's Show
Message-ID:
Hey there!
I need someone to jockey those concessions on Sept. 19, 20, 25, 26, 27, Oct.
2, 3, 4.
Call time is 7 pm. Wear what ya like. Bring a guest for free and let us
know.
The show is STRANGE TRAVEL SUGGESTIONS. Folks had a lot of fun with this one
last summer. Jeff tells hair-raising stories of adventure. Audience members
spin his Wheel of Fortune to determine which of said hair-raising stories he
will tell.
Write me with dates available.
Thanks,
Deborah
From aceastar@pacbell.net Wed Sep 17 17:52:13 2003
From: aceastar@pacbell.net (Diane Tasca)
Date: Wed, 17 Sep 2003 10:52:13 -0700 (PDT)
Subject: [BATA] Audition announcement for Pear Avenue Theatre
Message-ID: <20030917175213.3889.qmail@web80010.mail.yahoo.com>
--0-156611549-1063821133=:3785
Content-Type: text/plain; charset=us-ascii
[Please post this to the BATA list.]
The Pear Avenue Theatre (1220 Pear Avenue, Mountain View) will be holding auditions for our upcoming production of "And the World Goes Round," a revue celebrating the songs of John Kander and Fred Ebb, creators of Cabaret, Chicago, and The Kiss of the Spiderwoman. The show will run November 21-December 14 (no performance on Thanksgiving Day). Susannah Greenwood is directing; Diane Milo is vocal director. Auditions will be on Sunday, 9/28, 6:30 - 10 PM, and Saturday, 10/4, 12:30-3PM. We are looking for strong singer/actors, 20s-50s. The cast consists of 3 women and 2 men. Please bring two contrasting songs; accompanist provided. Call 650-254-1148 for an appointment.
--0-156611549-1063821133=:3785
Content-Type: text/html; charset=us-ascii
[Please post this to the BATA list.]
The Pear Avenue Theatre (1220 Pear Avenue, Mountain View) will be holding auditions for our upcoming production of "And the World Goes Round," a revue celebrating the songs of John Kander and Fred Ebb, creators of Cabaret, Chicago, and The Kiss of the Spiderwoman. The show will run November 21-December 14 (no performance on Thanksgiving Day). Susannah Greenwood is directing; Diane Milo is vocal director. Auditions will be on Sunday, 9/28, 6:30 - 10 PM, and Saturday, 10/4, 12:30-3PM. We are looking for strong singer/actors, 20s-50s. The cast consists of 3 women and 2 men. Please bring two contrasting songs; accompanist provided. Call 650-254-1148 for an appointment.
--0-156611549-1063821133=:3785--
From kato172@yahoo.com Wed Sep 17 20:24:54 2003
From: kato172@yahoo.com (Bob Miller)
Date: Wed, 17 Sep 2003 13:24:54 -0700 (PDT)
Subject: [BATA] Playwrighting Workshop
Message-ID: <20030917202454.50678.qmail@web41813.mail.yahoo.com>
--0-330373825-1063830294=:48846
Content-Type: text/plain; charset=us-ascii
CONTEMPORARY MASTERS SERIES: LIZ DUFFY ADAMS
a workshop in playwriting with a Master playwright
Liz Adams is a playwright the Bay Area LOVES! A New York writer, her play 'The Train Play or The Reckless Ruthless Brutal Charge Of It' was premiered to RAVE reviews by Crowded Fire Theater Company in 2002, directed by Rob Melrose (Cutting Ball Theatre), and her play "Dog Act" had a wildly enthusiatic reception to its staged reading as part of the Bay Area Playwrights Festival in 2002 -- and will most likely premiere somewhere in the Bay Area in 2004 (it's still a secret!). Right now she's back in town to work with us on our first ever co-commission, for which she will create a new play specifically for the Crowded Fire Theater Company's ensemble of actors, in which we will participate as a partner in the development process.
She is a wonderful artist and teacher, and we wanted YOU to be able o take advantage of her talent and expertise while she's here.
We're offering a LAST MINUTE weekend workshop on Sat/Sun, September 27 & 28, 10:30am-2:30pm
The cost is only $125 for the WHOLE WEEKEND!!!!!
The workshops tend to fill up quickly, so please contact us right away.
To register, please reply to this email, or call us at 415-626 0453, ext 110.
We look forward to sharing this extraordinary writer with you.
____________________________________________
Exploiting and exploding "the well-made play:" Structure in playwriting.
>From the Greeks to Shakespeare to Mac Wellman‹and points in between‹there are endless‹and endlessly thrilling‹possibilities in response to the question: What is a play? We¹ll explore some of them, looking at models for theatrical structure, playing with the possibilities, experimenting with form and content, linking ideas, story, character to language and structure.
Liz Duffy Adams' plays include Dog Act, The Train Play or The Reckless Ruthless Brutal Charge Of It, A Wrinkle In Time, A Fabulous Beast and Aphra Does Antwerp, and have been seen at PS 122, Ohio Theater, Syracuse Stage and the Women¹s Project among other places. The Train Play was produced in fall 2002 by Crowded Fire at the Exit Theater in San Francisco. Her Poodle With Guitar and Dark Glasses was published in Applause¹s "Best American Short Plays 2000-2001." She is a graduate of the Yale School of Drama and a member of New Dramatists.
---------------------------------
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
--0-330373825-1063830294=:48846
Content-Type: text/html; charset=us-ascii
CONTEMPORARY MASTERS SERIES: LIZ DUFFY ADAMS
a workshop in playwriting with a Master playwright
Liz Adams is a playwright the Bay Area LOVES! A New York writer, her play 'The Train Play or The Reckless Ruthless Brutal Charge Of It' was premiered to RAVE reviews by Crowded Fire Theater Company in 2002, directed by Rob Melrose (Cutting Ball Theatre), and her play "Dog Act" had a wildly enthusiatic reception to its staged reading as part of the Bay Area Playwrights Festival in 2002 -- and will most likely premiere somewhere in the Bay Area in 2004 (it's still a secret!). Right now she's back in town to work with us on our first ever co-commission, for which she will create a new play specifically for the Crowded Fire Theater Company's ensemble of actors!
, in
which we will participate as a partner in the development process.
She is a wonderful artist and teacher, and we wanted YOU to be able o take advantage of her talent and expertise while she's here.
We're offering a LAST MINUTE weekend workshop on Sat/Sun, September 27 & 28, 10:30am-2:30pm
The cost is only $125 for the WHOLE WEEKEND!!!!!
The workshops tend to fill up quickly, so please contact us right away.
To register, please reply to this email, or call us at 415-626 0453, ext 110.
We look forward to sharing this extraordinary writer with you.
____________________________________________
Exploiting and exploding "the well-made play:" Structure in playwriting.
From the Greeks to Shakespeare to Mac Wellman‹and points in between‹there are endless‹and endlessly thrilling‹possibilities in response to the
question: What is a play? We¹ll explore some of them, looking at models for theatrical structure, playing with the possibilities, experimenting with form and content, linking ideas, story, character to language and structure.
Liz Duffy Adams' plays include Dog Act, The Train Play or The Reckless Ruthless Brutal Charge Of It, A Wrinkle In Time, A Fabulous Beast and Aphra Does Antwerp, and have been seen at PS 122, Ohio Theater, Syracuse Stage and the Women¹s Project among other places. The Train Play was produced in fall 2002 by Crowded Fire at the Exit Theater in San Francisco. Her Poodle With Guitar and Dark Glasses was published in Applause¹s "Best American Short Plays 2000-2001." She is a graduate of the Yale School of Drama and a member of New Dramatists.
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
--0-330373825-1063830294=:48846--
From dale@theatrebayarea.org Wed Sep 17 21:03:25 2003
From: dale@theatrebayarea.org (Dale Albright)
Date: Wed, 17 Sep 2003 14:03:25 -0700
Subject: [BATA] Theatre Bay Area San Francisco Individual Member Regional Meeting
Message-ID: <003c01c37d5f$234e3940$6a01a8c0@dale>
This is a multi-part message in MIME format.
------=_NextPart_000_003D_01C37D24.76EF6140
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Monday, September 22, 7=969PM
San Francisco Regional Individual Member Meeting
=20
Want your voice to be heard in the San Francisco theatre community? Come =
let
us know what you think about the issues. Also come hear the latest about =
the
newly formed Individual Services Committee and the members-only section =
of
our Web site. Don=92t forget to bring your headshot for our talent bank! =
Not
yet a member of TBA? Come and hear about the benefits of membership.=20
RSVP by: September 22. Location: The Flood Building, 870 Market Street,
Suite: 485. To register: Call Theatre Bay Area at (415) 430-1140. No =
cost.=20
=20
Dale Albright
Director of Individual Services
Theatre Bay Area
415-430-1140, x14
dale@theatrebayarea.org
Check out these great upcoming TBA events:=20
San Francisco Regional Individual Member Meeting
Monday, September 22, 7=969PM
Raising More Money: Effective Grantwriting
Part Two: Focus on Financials=20
Monday, September 22, 6:30=968:30PM (SF)=20
R=E9sum=E9 Clinic
Monday, October 6, 7=969PM
Creative Marketing Strategies
Wednesday, October 8, 6:30=968:30PM
Voice Over Workshop=20
Monday, October 13, 7:00=969:00PM
Theatre Security=20
Tuesday, October 14, 12:00=961:30PM
Alternative Fund-raising Strategies: Special Events and Individual
Fund-raising=20
Wednesday, October 15, 6:30=968:30PM
Financial Planning for Theatre Professionals
Monday, October 20, 7:00-9:00 p.m.
South Bay Regional Individual Member Meeting
Saturday, October 25, 10:00AM=9612:00PM
Ask for more info or check out www.theatrebayarea.org
.
=20
=20
=20
------=_NextPart_000_003D_01C37D24.76EF6140
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Monday, September 22, =
7–9PM
San =
Francisco Regional Individual Member Meeting
Want your voice to be heard in the =
San
Francisco theatre community? Come let us know what you think =
about
the issues. Also come hear the latest about the newly formed Individual
Services Committee and the members-only section of our Web site. =
Don’t
forget to bring your headshot for our talent bank! Not yet a member of =
TBA?
Come and hear about the benefits of membership.
RSVP by: =
September 22. Location: The Flood Building, 870 Market
Street, Suite: 485. To =
register:
Call Theatre =
Bay Area at
(415) 430-1140. No cost. =
Dale Albright
Director of Individual Services
Theatre Bay Area
415-430-1140, x14
dale@theatrebayarea.org
Check out these great upcoming TBA events:
San
Francisco Regional Individual Member =
Meeting
Monday,
September 22, 7–9PM
Raising
More Money: Effective Grantwriting
Part
Two: Focus on Financials
Monday, =
September 22, 6:30–8:30PM (SF)
R=E9sum=E9 =
Clinic
Monday, =
October 6, 7–9PM
Creative Marketing
Strategies
Wednesday, =
October 8, 6:30–8:30PM
Voice Over =
Workshop
Monday, =
October 13, 7:00–9:00PM
Theatre =
Security
Tuesday, =
October 14, 12:00–1:30PM
Alternative Fund-raising Strategies: Special =
Events
and Individual Fund-raising =
Wednesday, =
October 15, 6:30–8:30PM
Financial Planning
for Theatre Professionals
Monday, =
October 20, 7:00-9:00 p.m.
South =
Bay =
Regional
Individual Member Meeting
Saturday, =
October 25, 10:00AM–12:00PM
Ask
for more info or check out www.theatrebayarea.org.
------=_NextPart_000_003D_01C37D24.76EF6140--
From joy@calshakes.org Wed Sep 17 22:54:43 2003
From: joy@calshakes.org (Joy Meads)
Date: Wed, 17 Sep 2003 15:54:43 -0700
Subject: [BATA] Bringing Shakespeare's Words to Life: a Class at the California Shakespeare Theatre
Message-ID: <005101c37d6e$af584ca0$0a00a8c0@domain1.com>
This is a multi-part message in MIME format.
------=_NextPart_000_0052_01C37D34.02F974A0
Content-Type: text/plain;
charset="us-ascii"
Content-Transfer-Encoding: 7bit
BRINGING SHAKESPEARE'S WORDS TO LIFE
NEW! For Professional Actors
This eight-week workshop with Artistic Director Jonathan Moscone focuses
on the rigorous exploration of various routes into Shakespeare's texts,
providing the actor with a variety of tools to interpret meaning, to
connect with thoughts and emotions behind the written word, and to
perform the texts with a greater sense of freedom, fearlessness, and
fun.
First 5 sessions on Tuesdays, September 23 - October 21
from 7:00 p.m. - 10:00 p.m. Last 3 sessions on Mondays, December 1-15
from 7:00 p.m. - 10:00 p.m. (8 sessions total). Tuition is $375.
All classes will take place at the Cal Shakes rehearsal hall, 701 Heinz
Avenue, in Berkeley.
To apply send a resume and a brief statement describing what you hope to
achieve in this workshop.
PLEASE CALL 510-548-3422 EXT. 105 FOR MORE INFORMATION OR LOG ON TO
WWW.CALSHAKES.ORG
California Shakespeare Theater
Theater LAB Registration
701 Heinz Avenue, Berkeley, CA 94710
Fax: 510-843-9921
Now playing through October 5
MUCH ADO ABOUT NOTHING
Directed by Peter DuBois
"there's some glorious Shakespeare going on in the Orinda hills."
Oakland Tribune
"as theatrically fertile as it is visually adventurous." SF Chronicle
"as emotionally gripping as it is funny." Contra Costa Times
COMING OCTOBER 9-12
MACHOMER: The "Simpsons" Do Macbeth!
------=_NextPart_000_0052_01C37D34.02F974A0
Content-Type: text/html;
charset="us-ascii"
Content-Transfer-Encoding: quoted-printable
Message
BRINGING=20
SHAKESPEARE’S WORDS TO LIFE
NEW! =
For=20
Professional Actors
This =
eight-week=20
workshop with Artistic Director Jonathan =
Moscone focuses on=20
the rigorous exploration of various routes into Shakespeare’s =
texts, providing=20
the actor with a variety of tools to interpret meaning, to connect with =
thoughts=20
and emotions behind the written word, and to perform the texts with a =
greater=20
sense of freedom, fearlessness, and fun.
First 5 =
sessions on=20
Tuesdays, September 23 - October 21
from=20
7:00 p.m. - 10:00=20
p.m. Last 3 sessions on =
Mondays,=20
December 1-15 from 7:00 p.m. - 10:00=20
p.m. (8 sessions total). =
Tuition=20
is $375.
All classes =
will take=20
place at the Cal Shakes rehearsal hall, 701 Heinz=20
Avenue, in Berkeley.
To apply =
send a resume=20
and a brief statement describing what you hope to achieve in this=20
workshop.
PLEASE CALL =
510-548-3422 EXT. 105 FOR MORE INFORMATION OR LOG ON TO WWW.CALSHAKES.ORG
California =
Shakespeare=20
Theater
Theater LAB=20
Registration
701 Heinz =
Avenue, =
Berkeley, CA 94710
Fax:=20
510-843-9921
Now =
playing=20
through October 5
MUCH=20
ADO ABOUT=20
NOTHING
Directed by Peter=20
DuBois
"there's some glorious =
Shakespeare=20
going on in the Orinda hills." Oakland Tribune
"as theatrically fertile as =
it is=20
visually adventurous." SF Chronicle
"as emotionally gripping as =
it is=20
funny." Contra Costa Times
COMING =
OCTOBER=20
9-12
MACHOMER: The=20
"Simpsons" Do Macbeth!
------=_NextPart_000_0052_01C37D34.02F974A0--
From fred@belgian.org Thu Sep 18 02:53:28 2003
From: fred@belgian.org (Frederik Goris)
Date: Wed, 17 Sep 2003 19:53:28 -0700
Subject: [BATA] Re: Altarena Playhouse 2004 Season
In-Reply-To:
Message-ID:
On 7/28/03 8:35 PM, quoth Kendall Tieck :
> As many of you know, I have assumed the role of Artistic Director for the
> Altarena Playhouse, and Eve has become the General Manager. We are pleased
> to announce the following 2004 Season:
>
> Plaza Suite
> by Neil Simon
> January 23 - February 21
>
> Company
> Music and Lyrics by Stephen Sondheim
> Book by George Furth
> April 2 - May 1
>
> Nuts
> by Tom Tupor
> June 3 - July 10
>
> Tintypes
> Conceived by Mary Kyte with Mel Marvin and Gary Pearle
> September 10 - October 9
>
> Scapino!
> by Frank Dunlop and Jim Dale
> October 29 - November 27
>
> Over the next two months we will be looking to engage the creative teams for
> these projects for the 2004 season. In our attempt to spread the word, we
> have mined our email contact lists for those of you who either personally
> may be interested or who may know of others who could contribute to the
> creative team.
>
> In addition to Directors, Musical Directors, Choreographers, and Stage
> Managers we are looking to engage a Resident Costumer to handle the season
> activities and manage the Altarena's costume inventory.
>
> Whether you are personally interested in any of these projects, or can
> recommend new talent, we would welcome your input and suggestions.
>
> Thank you,
>
> Kendall Tieck
> 510-865-4485
> kendall@altarena.org
> www.altarena.org
>
>
--
< Frederik Goris > "The thing that makes Shakespeare breathtaking <
> fred@belgian.org < and defines poetry [is] the simultaneous com- >
< www.belgian.org > pression of language and expansion of meaning." <
> < - Tom Stoppard >
From sarahseider@yahoo.com Thu Sep 18 21:33:59 2003
From: sarahseider@yahoo.com (Sarah Seider)
Date: Thu, 18 Sep 2003 14:33:59 -0700 (PDT)
Subject: [BATA] please post: Bilingual Promotional Spokesmodels for High-image Liquor Brands Needed
Message-ID: <20030918213359.73078.qmail@web60107.mail.yahoo.com>
--0-1377583130-1063920839=:72137
Content-Type: text/plain; charset=us-ascii
Bilingual Promotional Spokesmodels for High-image Liquor Brands Needed
Spokesmodels needed to represent high-image spirits brands in the Bay Area, including San Francisco, Oakland, San Jose and Salinas, as well as other area locations. Spokesmodels will be responsible for educating consumers about luxury liquor brands. Spokesmodels will be representing these brands and thus must be capable of maintaining the image of the brand at all times while on the job.
Requirements:
BILINGUAL (BOTH ENGLISH AND SPANISH-SPEAKING) MANDATORY!
Responsible/dependable
Outgoing/ assertive
Presentable in upscale environments
Problem-solvers who are quick on their feet and adjust easily in varying situations
Job description:
Part-time
Non-salary; paid by event
Training required
Transportation a plus but not essential
---------------------------------
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
--0-1377583130-1063920839=:72137
Content-Type: text/html; charset=us-ascii
Bilingual Promotional Spokesmodels for High-image Liquor Brands Needed
Spokesmodels needed to represent high-image spirits brands in the Bay Area, including San Francisco, Oakland, San Jose and Salinas, as well as other area locations. Spokesmodels will be responsible for educating consumers about luxury liquor brands. Spokesmodels will be representing these brands and thus must be capable of maintaining the image of the brand at all times while on the job.
Requirements:
BILINGUAL (BOTH ENGLISH AND SPANISH-SPEAKING) MANDATORY!
Responsible/dependable
Outgoing/ assertive
Presentable in upscale environments
Problem-solvers who are quick on their feet and adjust easily in varying situations
Job description:
Part-time
Non-salary; paid by event
Training required
Transportation a plus but not essential
Do you Yahoo!?
Yahoo! SiteBuilder - Free, easy-to-use web site design software
--0-1377583130-1063920839=:72137--
From Actorpower@aol.com Sat Sep 20 01:30:13 2003
From: Actorpower@aol.com (Actorpower@aol.com)
Date: Fri, 19 Sep 2003 21:30:13 EDT
Subject: [BATA] First Takes 8 Week Film / TV Audition Class starts Oct. 14th!!!!
Message-ID: <1c7.f32cc60.2c9d07a5@aol.com>
--part1_1c7.f32cc60.2c9d07a5_boundary
Content-Type: text/plain; charset="UTF-8"
Content-Transfer-Encoding: base64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--part1_1c7.f32cc60.2c9d07a5_boundary
Content-Type: text/html; charset="UTF-8"
Content-Transfer-Encoding: base64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--part1_1c7.f32cc60.2c9d07a5_boundary--
From bergmann8@juno.com Sat Sep 20 02:51:51 2003
From: bergmann8@juno.com (Janis Bergmann)
Date: Fri, 19 Sep 2003 19:51:51 -0700
Subject: [BATA] Tryouts for "The Trojan Women"
Message-ID: <20030919.195153.2688.1.bergmann8@juno.com>
This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.
----__JNP_000_61e3.7b39.5e30
Content-Type: text/plain; charset=iso-8859-1
Content-Transfer-Encoding: 8bit
Open Tryouts Euripides' "The Trojan Women" at Foothill College
The Foothill College Drama Department announces open auditions for
Euripides' drama, "The Trojan Women," to be held Monday, September 22 and
Wednesday, September 24, 7-9:30 p.m. in the Foothill Pavilion, room 1301,
Foothill College, 12345 El Monte Road, Los Altos Hills. No appointments
are necessary; please try not to arrive later than 9pm. Callbacks will
be scheduled Thursday evening, September 25.
The classic Greek tragedy will be presented in an exciting modern
interpretation. The version/translation by Jean-Paul Sartre is the
likely choice, though exploration of other translations is still ongoing
and will be determined before auditions begin September 22. The theme of
war and its ultimate folly keenly affected Euripides, when his beloved
and democratic Athens invaded and subjugated Melos. The theme is as
timeless today.
"The Trojan Women" is directed by Jay Manley, with settings designed by
Joe Ragey and costumes designed by Amy Zsadanyi-Yale. Performances will
be presented November 7-23. Rehearsals will be held weekday evenings and
some weekend days, beginning September 27.
Roles available and approximate age ranges
Women¹s roles: Hecuba Queen of Troy, 40's-60's, emotionally and
physically demanding role; Cassandra, daughter of Hecuba a prophetess
who has gone mad in her suffering, 20's-30's; Andromache wife of the
fallen Hector and mother of Astyanax, 20's-30's; Helen wife of
Menelaus, abducted from the Greeks to Troy by Hecuba¹s son, Paris,
attractive and seductive in a special way, 20's-30's; Pallas Athene the
patron Goddess of Attica, daughter of Zeus, 20's-40's; Chorus Leader and
Chorus the defeated women of Troy, whose husbands, fathers and sons
have all been slaughtered they act, of course, as the chorus in this
play, so have substantial individual vocal and group choral work
throughout the play.
Men¹s Roles: Talthybios the Trojan herald or messenger, who brings the
devastating news to the Trojan women, wonderful character role,
20's-60's; Menelaus the avenging Greek general, husband of Helen,
30's-60's; Poseidon, God of the sea and patron God of Troy, 30's-60's;
Soldiers several conquering Greek soldiers.
Child role: Astyanax the son of Andromache and Hector and heir to the
Trojan throne, who is murdered to prevent a Trojan resurgence one day.
This is a non-speaking role, but a very conspicuous presence and
requiring of substantial discipline, 7-10.
Auditioners are encouraged, though not required, to have a prepared
monologue, classic or contemporary. Cold readings will also be
scheduled. Auditioners should bring four quarters to purchase a parking
permit at auditions; those cast in the production will be provided a free
permit for the duration. Closest parking to the auditions is Parking lot
1, the first lot on your right as you enter the campus. Foothill College
is located at El Monte Road and I-280 in Los Altos Hills. This is a
non-Equity, not-for-pay production. For a recorded announcement about
these auditions, phone 650-949-7414. For further questions about the
auditions, please phone 650-949-7417.
----__JNP_000_61e3.7b39.5e30
Content-Type: text/html; charset=iso-8859-1
Content-Transfer-Encoding: quoted-printable
Tryouts for "The Trojan Women"
Open Tryouts Euripides' "=
The Trojan=20
Women" at Foothill College
The Foothill College Drama Department announces open auditions for=
=20
Euripides' drama, "The Trojan Women," to be held Monday, September 22 and=20
Wednesday, September 24, 7-9:30 p.m. in the Foothill Pavilion, room 1301,=20
Foothill College, 12345 El Monte Road, Los Altos Hills. No =
appointments=20
are necessary; please try not to arrive later than 9pm. Callbacks =
will be=20
scheduled Thursday evening, September 25.
The classic Greek tragedy =
will=20
be presented in an exciting modern interpretation. The version/=
translation=20
by Jean-Paul Sartre is the likely choice, though exploration of other=20
translations is still ongoing and will be determined before auditions begin=
=20
September 22. The theme of war and its ultimate folly keenly affected=
=20
Euripides, when his beloved and democratic Athens invaded and subjugated =
Melos.=20
The theme is as timeless today.
"The Trojan Women" is directed=
by=20
Jay Manley, with settings designed by Joe Ragey and costumes designed by =
Amy=20
Zsadanyi-Yale. Performances will be presented November 7-23.=20
Rehearsals will be held weekday evenings and some weekend days, =
beginning=20
September 27.
Roles available and approximate age ranges
=
Women=B9s=20
roles: Hecuba Queen of Troy, 40's-60's, emotionally =
and=20
physically demanding role; Cassandra, daughter of Hecuba =
a=20
prophetess who has gone mad in her suffering, 20's-30's; Andromache =
=20
wife of the fallen Hector and mother of Astyanax, 20's-30's; Helen &=
shy;=20
wife of Menelaus, abducted from the Greeks to Troy by Hecuba=B9s son, Paris=
,=20
attractive and seductive in a special way, 20's-30's; Pallas Athene =
=20
the patron Goddess of Attica, daughter of Zeus, 20's-40's; Chorus Leader=
=20
and Chorus the defeated women of Troy, whose husbands, fathers=
and=20
sons have all been slaughtered they act, of course, as the chorus in =
this=20
play, so have substantial individual vocal and group choral work throughout=
the=20
play.
Men=B9s Roles: Talthybios the Trojan=
herald=20
or messenger, who brings the devastating news to the Trojan women, =
wonderful=20
character role, 20's-60's; Menelaus the avenging Greek general=
,=20
husband of Helen, 30's-60's; Poseidon, God of the sea and patron God=
of=20
Troy, 30's-60's; Soldiers several conquering Greek=20
soldiers.
Child role: Astyanax the son of=
=20
Andromache and Hector and heir to the Trojan throne, who is murdered to =
prevent=20
a Trojan resurgence one day. This is a non-speaking role, but a very=
=20
conspicuous presence and requiring of substantial discipline,=20
7-10.
Auditioners are encouraged, though not required, to have a =
prepared=20
monologue, classic or contemporary. Cold readings will also be =
scheduled.=20
Auditioners should bring four quarters to purchase a parking permit =
at=20
auditions; those cast in the production will be provided a free permit for =
the=20
duration. Closest parking to the auditions is Parking lot 1, the first lot =
on=20
your right as you enter the campus. Foothill College is located at El=
=20
Monte Road and I-280 in Los Altos Hills. This is a non-Equity, not-=
for-pay=20
production. For a recorded announcement about these auditions, phone=
=20
650-949-7414. For further questions about the auditions, please phone=
=20
650-949-7417.
----__JNP_000_61e3.7b39.5e30--
From steve.koppman@gartner.com Tue Sep 23 19:05:33 2003
From: steve.koppman@gartner.com (Koppman,Steve)
Date: Tue, 23 Sep 2003 12:05:33 -0700
Subject: [BATA] actors needed
Message-ID: <0FCC4BBA99000C4784C213F274EF7D5108214531@cougar.ent.gartner.com>
This is a multi-part message in MIME format.
------_=_NextPart_001_01C38205.AA440494
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
I'd like to post a notice for actors:
Four actors to play Middle Eastern men, two in 20s, two 40-60, for =
15-20-minute play, "Rainbow Martyrs: A Terrorist Comedy," in the Fringe =
of Marin, San Rafael, Nov. 21 - Dec. 7. Please contact Celik Kayalar, =
director, ckayalar@aol.com, or 510/665-5851.
Can someone advise me this has been posted?
------_=_NextPart_001_01C38205.AA440494
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Greetings!
Registration starts Wednesday, Oct 1 for Theatre Bay =
Area’s
October events. Make plans to attend one, some of all of =
them!
Monday, October 6, =
7–9PM
R=E9sum=E9 =
Clinic
What are the differences between a theatrical and =
commercial
r=E9sum=E9? Should I have more than one? What are “special =
skills”
anyway? Come hear r=E9sum=E9 expert Marilyn Prince share her secrets =
about this
important tool.
Location: =
Flood Building, 870 Market
Street, Suite 485, San =
Francisco. Registration starts: October 1. =
To register: Call Theatre Bay Area at
(415) 430-1140. Cost: $25
members/$40 nonmembers.
Monday, October 13, =
7–9PM
Voice-Over =
Workshop
Let your voice be heard… and maybe make some =
money
while you’re at it! All participants will get some mike time. =
Susan McCollom
is one of the nation’s top voice-over talents. VoiceMedia/Susan =
and
Friends Casting started in 1988 and now has a studio in =
Walnut
Creek. Registration =
starts:
October 1. To register: =
Call Theatre Bay Area at
(415) 430-1140. Location: =
1372 North
Main Street, 2nd floor, Walnut =
Creek. Cost: $30 members/$45 nonmembers. =
Suggested experience: All levels =
and backgrounds
are welcome. Space is extremely =
limited.
Tuesday, October 14, =
12–1:30PM
Theatre =
Security
Bring a brown bag lunch and talk about employee =
protection
for late night shifts, crisis response, box office safety, violence in =
the
workplace, physical office security and more. San Francisco S.A.F.E., =
Inc.
(Safety Awareness for Everyone) is a community crime prevention and =
public
safety program. Security expert Furlishous Wyatt will address your =
security and
safety issues. Attendees will receive printed material to share with =
other
staff members at their own theatres. RSVP by: October 13. Location: The Flood Building, 870 Market
Street, Suite: 485, San =
Francisco. To register: Call Theatre Bay Area at
(415) 430-1140. Cost: =
Free
members/$10 nonmembers. Donations for S.A.F.E. also accepted. =
Monday, October 20, =
7-9PM
Financial Planning for Theatre
Professionals
Many people rely on their company-sponsored 401(K) =
plan as
their main source of savings, but self-employed performing arts =
professionals
frequently do not have this option. See October’s Callboard for =
more
information. Location: =
The Flood Building, 870 Market
Street, Suite TBD, San Francisco. RSVP by: October 20. To
register: Call =
Theatre Bay Area at
(415) 430-1140. Cost: =
Free members/$10 nonmembers. =
Saturday, October 25, =
10AM–12PM (PLEASE =
NOTE DATE
CHANGE FROM SEPTEMBER CALLBOARD)
South =
Bay Regional Individual Member =
Meeting
Come let us know what you think about the issues =
around the South Bay. Also come
hear the latest about the newly formed Individual Services Committee. =
RSVP by: October 10. Location: =
City Lights
Theater Company, 529 S. Second =
Street, San Jose. To register: Call Theatre Bay Area at
(415) 430-1140. Free.
Dale Albright
Director of Individual Services
Theatre Bay Area
415-430-1140, x14
dale@theatrebayarea.org
Check out these great upcoming TBA events:
R=E9sum=E9
Clinic
Monday, =
October 6, 7–9PM
Creative Marketing
Strategies
Wednesday, =
October 8, 6:30–8:30PM
Voice Over =
Workshop
Monday, =
October 13, 7:00–9:00PM
Theatre =
Security
Tuesday, =
October 14, 12:00–1:30PM
Alternative Fund-raising Strategies: Special =
Events
and Individual Fund-raising =
Wednesday, =
October 15, 6:30–8:30PM
Financial Planning
for Theatre Professionals
Monday, =
October 20, 7:00-9:00 p.m.
South =
Bay =
Regional
Individual Member Meeting
Saturday, =
October 25, 10:00AM–12:00PM
Ask
for more info or check out www.theatrebayarea.org.
------=_NextPart_000_007F_01C3828F.117C5140--
From Pantheater@aol.com Wed Sep 24 18:53:21 2003
From: Pantheater@aol.com (Pantheater@aol.com)
Date: Wed, 24 Sep 2003 14:53:21 EDT
Subject: [BATA] Pan Theater Beginning Advanced and Long Acting Classes October
Message-ID: <1d2.116d997e.2ca34221@aol.com>
--part1_1d2.116d997e.2ca34221_boundary
Content-Type: text/plain; charset="UTF-8"
Content-Transfer-Encoding: quoted-printable
Content-Language: en
Pan Theater's October and November Classes:
Improv Basics-the perfect class to learn or refresh your improv skills. =C2=
=A0 The=20
supportive environment will make it easy for you to let go of self-editing=20
and delve into your own creativity. Learn to=E2=80=9Dyes and=E2=80=9D to you=
r partner while=20
also learning the basic elements of improvised scene work. =C2=A0=20
The class is limited to eight students- so you'll get lots of stage time!=
=C2=A0=20
This class is perfect for those looking to sharpen their presentation skills=
and=20
listening skills while becoming less self-conscious. Professionals, students=
,=20
and actors alike enjoy this class. The class will provide a strong foundatio=
n=20
of the basics plus you'll have lots of fun!
Next session starts October 12th from 11am to 1:30pm.=C2=A0 Only a Few Space=
s Left!
November Session Starts 11/1/03 from 2pm to 4:30pm (Saturdays).
Advanced Improv-Scene work, scene work and more scene work.=C2=A0This class=20
provides you with the tools and practice opportunities to sharpen your impro=
vised=20
scene work.=C2=A0This class is for those with prior experience.=C2=A0 You ge=
t the chance=20
to do several scenes each night and get the feedback to make them even bette=
r.=C2=A0=20
This class is taught by Doug Kassel.=C2=A0 Doug has over thirty years of imp=
rov=20
experience.=C2=A0Doug studied with Viola Spolin in Chicago.=C2=A0 Doug also=20=
has numerous=20
regional and national acting credits to his name.=C2=A0 For more info on Dou=
g- visit=20
our site- www.pantheater.com.=C2=A0Join other experienced improvisers and ta=
ke=20
your skills to the next level!=20
First class/audit of Advanced Improv is free!=20
Try it; you'll be glad you did!
Monday Nights- ongoing.=C2=A0 Students may join at any point provided there=20=
is=20
space available.Only Two Spaces Left!
Improv Acting and Long Form Basics- a class that combines acting and long=20
form improv in one class!=C2=A0 You'll review (or learn) Meisner and Stanisl=
avsky=20
basics plus learn basic vocal training for the actor. After we've warmed up-=
we'll=20
dive into long form improv technique and focus on scene work and multiple=20
scene improvised plays (long-form).=C2=A0 This ongoing class provides all of=
the fun=20
of an acting class without having to memorize a script!=C2=A0 Actors will sh=
arpen=20
their improv and improvisers will learn traditional acting techniques. Plus=20=
we=20
get to watch some nifty and creative long form performed by classmates!=C2=
=A0=20
This class is limited to eight performers. Only Three Spaces Left!=C2=A0=20
Improv Acting Starts- Thursday Nights beginning October 16th, from 7pm to=20
9:30pm
Advanced Basics and Beginning Scene Work- this class provides a review of th=
e=20
basics for those who are rusty or want a quick refresher.=C2=A0But after tha=
t-=20
we'll jump into scene work with exercises designed to reinforce the elements=
of a=20
good scene.=C2=A0You'll perform several scenes a night and get tons of feedb=
ack=20
designed to make your choices stronger and your scenes more enjoyable (both=20=
to=20
you and the audience).=C2=A0 We'll also explore a simple long form structure=
to give=20
you a chance to create longer stories.
Advanced Basics and Beginning Scene Work starts on Wednesdays beginning=20
November 12th, from 7pm to 9:30pm.
Register Today!=C2=A0Classes Fill Up Fast!=C2=A0 Visit www.pantheater.com or=
call (510)=20
393-4146 right now!
WWW.PANTHEATER.COM
Hey- don=E2=80=99t forget our register with a friend discount!=C2=A0 $10 off=
any class=20
when you register with a friend.=C2=A0 The discount is on remaining tuition=20=
balances=20
and cannot be combined with other discounts.
Register Today!=C2=A0Classes Fill Up Fast!
P.S.=C2=A0=C2=A0 We=E2=80=99re always adding new classes- so make sure to jo=
in our email=20
announcement list-email:=C2=A0 Pan Theater's October and=
November Classes:
Improv Basics-the perfect class to learn or refresh your improv s=
kills. =C2=A0 The supportive environment will make it easy for you to let go=
of self-editing and delve into your own creativity. Learn to=E2=80=9Dyes an=
d=E2=80=9D to your partner while also learning the basic elements of improvi=
sed scene work. =C2=A0
The class is limited to eight students- so yo=
u'll get lots of stage time!=C2=A0 This class is perfect for those looking t=
o sharpen their presentation skills and listening skills while becoming less=
self-conscious. Professionals, students, and actors alike enjoy this class.=
The class will provide a strong foundation of the basics plus you'll have l=
ots of fun!
Next session starts October 12th from 11am to 1:30pm.=C2=
=A0 Only a Few Spaces Left!
November Session Starts 11/1/03 from 2pm to 4=
:30pm (Saturdays).
Advanced Improv-Scene work, scene work and=20=
more scene work.=C2=A0This class provides you with the tools and practice op=
portunities to sharpen your improvised scene work.=C2=A0This class is for th=
ose with prior experience.=C2=A0 You get the chance to do several scenes eac=
h night and get the feedback to make them even better.=C2=A0 This class is t=
aught by Doug Kassel.=C2=A0 Doug has over thirty years of improv experience.=
=C2=A0Doug studied with Viola Spolin in Chicago.=C2=A0 Doug also has numerou=
s regional and national acting credits to his name.=C2=A0 For more info on D=
oug- visit our site- www.pantheater.com.=C2=A0Join other experienced=20=
improvisers and take your skills to the next level!=20
First class/audit of Advanced Improv is free!=20
Try it; you'll be glad you did!
Monday Nights- ongoing.=C2=A0 Students may join at any point provided th=
ere is space available.Only Two Spaces Left!
Improv Acting and Long Form Basics- a class that combines acting=20=
and long form improv in one class!=C2=A0 You'll review (or learn) Meisner an=
d Stanislavsky basics plus learn basic vocal training for the actor. After w=
e've warmed up- we'll dive into long form improv technique and focus on scen=
e work and multiple scene improvised plays (long-form).=C2=A0 This ongoing c=
lass provides all of the fun of an acting class without having to memorize a=
script!=C2=A0 Actors will sharpen their improv and improvisers will learn t=
raditional acting techniques. Plus we get to watch some nifty and creative l=
ong form performed by classmates!=C2=A0=20
This class is limited to eight performers. Only Three Spaces Left!=C2=
=A0=20
Improv Acting Starts- Thursday Nights beginning October 16th, from 7pm t=
o 9:30pm
Advanced Basics and Beginning Scene Work- this class provides a r=
eview of the basics for those who are rusty or want a quick refresher.=C2=
=A0But after that- we'll jump into scene work with exercises designed to rei=
nforce the elements of a good scene.=C2=A0You'll perform several scenes a ni=
ght and get tons of feedback designed to make your choices stronger and your=
scenes more enjoyable (both to you and the audience).=C2=A0 We'll also expl=
ore a simple long form structure to give you a chance to create longer stori=
es.
Advanced Basics and Beginning Scene Work starts on Wednesdays beg=
inning November 12th, from 7pm to 9:30pm.
Register Today!=C2=A0Classe=
s Fill Up Fast!=C2=A0 Visit www.pantheater.com or call (510) 393-4146 right=20=
now!
WWW.PANTHEATER.COM
Hey- don=E2=80=99t forget our register wit=
h a friend discount!=C2=A0 $10 off any class when you register with a friend=
.=C2=A0 The discount is on remaining tuition balances and cannot be combined=
with other discounts.
Register Today!=C2=A0Classes Fill Up Fast!
=
P.S.=C2=A0=C2=A0 We=E2=80=99re always adding new classes- so make sure t=
o join our email announcement list-email:=C2=A0 pantheater@aol.com
P.S.S.=C2=A0 Be sure to visit our si=
te to read Dan Goldberg=E2=80=99 s great article =E2=80=9CHow to be a Better=
Improviser=E2=80=9D.
--part1_1d2.116d997e.2ca34221_boundary--
From bergmann8@juno.com Thu Sep 25 09:12:16 2003
From: bergmann8@juno.com (Janis Bergmann)
Date: Thu, 25 Sep 2003 02:12:16 -0700
Subject: [BATA] Seydways Studio Fall Classes
Message-ID: <20030925.021217.4084.2.bergmann8@juno.com>
This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.
----__JNP_000_076b.1bfe.7148
Content-Type: text/plain; charset=us-ascii
Content-Transfer-Encoding: 7bit
Dear Friends: In addition to our regular ongoing weekly classes with
Richard Seyd and Bobby Weinapple, this fall we will be offering three new
classes as part of Seydways Studios. Below are descriptions of the three
new classes. If you are interested in signing up for any of these
classes, please contact the instructor directly. All classes at the
studio are limited in size to 12 students maximum.
Acting For Singers Class
Instructors: Bobby Weinapple & Dave Miotke (primary accompanist)
Class Time/Days: Tuesdays, 6:00pm - 10:00pm
October 21- November 25
Cost: 6-week session for $375.00
To enroll: contact Bobby Weinapple at wapple@pacbell.net (a $50 deposit
is required to hold a spot)
For the past six years Bobby has been teaching acting to opera singers at
the SF Conservatory of Music and developing a way of helping singers feel
less self-conscious on stage, feel more connected to their emotions, and
allow the music to inform rather than hinder the singers' ability to be
effortlessly in the moment.
Each week every student will get to work on a piece of music they have
brought in. As the class progresses, we may also begin to work on duets,
trios, and scenes from opera and musical theatre. An accompanist will be
provided every week.
This class is for singers of all types, but you should have some
experience and ease with working on and learning music, and we will ask
you to provide your own pieces to work on, though we may make suggestions
for other pieces as we progress. Sight-reading music is not a
requirement. The class will not be focusing primarily on vocal
production, breath technique, diction, etc. but rather on the acting side
of performing as a singer. If you are interested in signing up or would
like more information, please contact Bobby directly at (510) 234- 7575
or e-mail wapple@pacbell.net.
-------------------------------------------------------------------------
-----------------------------------------------
Trigger Approach Class
Instructor: Janis Bergmann
Class Time/Days: Sundays, 6:00pm - 10:00pm
October 12- November 16
Cost: 6-week session for $300.00
To enroll: contact Janis Bergmann at bergmann8@juno.com (a $50 deposit is
required to hold a spot)
The trigger approach is a technique originally designed by Richard Seyd
as a way of breaking down text, thought by thought, to enable the actor
to live more authentically and spontaneously in the moment during
performance. All actors are told that "being in the moment" is
important, but no one teaches the actor how to be in the moment
effortlessly. The trigger approach is designed to give the actor a
working methodology for achieving that performance state.
The class will include an initial session with Richard Seyd, and will
continue with an in depth exploration of the approach through rehearsal
and performance of an assigned scene. There will also be improv work and
exercises to more fully develop spontaneity, relaxation and imagination.
-------------------------------------------------------------------------
-----------------------------------------------
On-Camera Class
Instructor: James Cutts
Class Time/Days: Sundays, 6:00pm - 10:00pm
October 21- December 9
Cost: 8 Weeks $450 ($350 for returning students)
To enroll: contact James Cutts at jcutts@pacbell.net (a $50 deposit is
required to hold a spot)
This eight-week class teaches actors of all levels the techniques needed
to work on film. Whether your interest is in feature film or television
commercials, this class covers the rules and tricks of successful work in
front of the camera. Each week students will perform on camera and
receive
individual feedback. Instruction will cover scene study and script
analysis with a focus on booking professional work.
-------------------------------------------------------------------------
-----------------------------------------------
--
* ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * `*
~ * ~ * ~ * ~ * ~ *
"This will be our reply to violence: to make music more intensely, more
beautifully, more devotedly than ever before."
-Leonard Bernstein
----__JNP_000_076b.1bfe.7148
Content-Type: text/html; charset=us-ascii
Content-Transfer-Encoding: quoted-printable
Seydways Studio Fall Classes
Dear Friends: In addition to our regular ongoing =
weekly=20
classes with Richard Seyd and Bobby Weinapple, this fall we will be =
offering=20
three new classes as part of Seydways Studios. Below are descriptions of =
the=20
three new classes. If you are interested in signing up for any of these =
classes,=20
please contact the instructor directly. All classes at the studio are =
limited in=20
size to 12 students maximum.
Acting For Singers=20
Class
Instructors: Bobby Weinapple & Dave Miotke (=
primary=20
accompanist)
Class Time/Days: Tuesdays, 6:00pm -=20
10:00pm
October 21- November 25
Cost: 6-week session for $375.00
To enroll: contact Bobby Weinapple at=20
wapple@pacbell.net (a $50 deposit is required to hold a=20
spot)
For the past six years Bobby has been teaching =
acting=20
to opera singers at the SF Conservatory of Music and developing a way of =
helping=20
singers feel less self-conscious on stage, feel more connected to their=20
emotions, and allow the music to inform rather than hinder the singers' =
ability=20
to be effortlessly in the moment.
Each week every student will get to work on a =
piece of=20
music they have brought in. As the class progresses, we may also begin to =
work=20
on duets, trios, and scenes from opera and musical theatre. An accompanist =
will=20
be provided every week.
This class is for singers of all types, but you =
should=20
have some experience and ease with working on and learning music, and we =
will=20
ask you to provide your own pieces to work on, though we may make =
suggestions=20
for other pieces as we progress. Sight-reading music is not a requirement. =
The=20
class will not be focusing primarily on vocal production, breath technique,=
=20
diction, etc. but rather on the acting side of performing as a singer. If =
you=20
are interested in signing up or would like more information, please contact=
=20
Bobby directly at (510) 234- 7575 or e-mail=20
wapple@pacbell.net.
--------------------------------------------------------------=
----------------------------------------------------------=
Trigger Approach=20
Class
Instructor: Janis Bergmann
Class Time/Days: Sundays, 6:00pm - 10:00pm
October 12- November 16
Cost: 6-week session for $300.00
To enroll: contact Janis Bergmann at bergmann8@juno.com (a=
$50=20
deposit is required to hold a spot)
The trigger approach is a technique originally =
designed=20
by Richard Seyd as a way of breaking down text, thought by thought, to =
enable=20
the actor to live more authentically and spontaneously in the moment during=
=20
performance. All actors are told that "being in the moment" is =
important,=20
but no one teaches the actor how to be in the moment effortlessly. =
The=20
trigger approach is designed to give the actor a working methodology for=20
achieving that performance state.
The class will include an initial session with =
Richard=20
Seyd, and will continue with an in depth exploration of the approach =
through=20
rehearsal and performance of an assigned scene. There will also be =
improv=20
work and exercises to more fully develop spontaneity, relaxation and=20
imagination.
--------------------------------------------------------------=
----------------------------------------------------------=
On-Camera Class
Instructor: James Cutts
Class Time/Days: Sundays, 6:00pm - 10:00pm
October 21- December 9
Cost: 8 Weeks $450 ($350 for returning=20
students)
To enroll: contact James Cutts at=20
jcutts@pacbell.net (a $50 deposit is required to hold a=20
spot)
This eight-week class teaches actors of all =
levels the=20
techniques needed to work on film. Whether your interest is in =
feature=20
film or television commercials, this class covers the rules and tricks of=20
successful work in front of the camera. Each week students will =
perform on=20
camera and receive
individual feedback. Instruction will =
cover scene=20
study and script analysis with a focus on booking professional=20
work.
--------------------------------------------------------------=
----------------------------------------------------------=
--=20
* ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ * ~ =
* ~ * ~=20
* ~ * ~ * ~ * `* ~ * ~ * ~ * ~ * ~ *
"This will be our reply to violence=
: to=20
make music more intensely, more beautifully, more devotedly than ever=20
before."
-Leonard Bernstein
----__JNP_000_076b.1bfe.7148--
From mwr@consultant.com Thu Sep 25 09:20:05 2003
From: mwr@consultant.com (Michael Rice)
Date: Thu, 25 Sep 2003 04:20:05 -0500
Subject: [BATA] Graduate School Directory for Theatre
Message-ID: <20030925092005.98960.qmail@mail.com>
I would like to invite you to obtain the GRADUATE SCHOOL DIRECTORY FOR THEATRE. There are very few centralized places to research the different graduate school options in theatre.
I know that when I was trying to research which graduate school to attend, U/RTA seemed to be the only place with a centralized directory of schools.
But there are plenty of other school out there that offer advanced degrees in theatre. So I have put together a directory that gives you and your students plenty of options to research.
If you would like a free copy of the DIRECTORY, email me at mwr@consultant.com and I will email you a copy. Just say "I would like a free copy of the DIRECTORY", and I will e-mail it too you upon reciept (with options to obtain it in print).
I know that I wish I had something like this when I was searching for the perfect graduate school.
Don't let this valuable tool pass you by. E-mail me today. It's free.
Sincerely
Michael Wayne Rice, M.F.A., A.E.A
Graduate University of Missouri - Kansas City
Class of 2001
--
__________________________________________________________
Sign-up for your own personalized E-mail at Mail.com
http://www.mail.com/?sr=signup
CareerBuilder.com has over 400,000 jobs. Be smarter about your job search
http://corp.mail.com/careers
From kato172@yahoo.com Thu Sep 25 16:05:49 2003
From: kato172@yahoo.com (Bob Miller)
Date: Thu, 25 Sep 2003 09:05:49 -0700 (PDT)
Subject: [BATA] Only a few slots left...
Message-ID: <20030925160549.70847.qmail@web41802.mail.yahoo.com>
--0-2104516235-1064505949=:69297
Content-Type: text/plain; charset=us-ascii
CONTEMPORARY MASTERS SERIES: LIZ DUFFY ADAMS
a workshop in playwriting with a Master playwright
Liz Adams is a playwright the Bay Area LOVES! A New York writer, her play 'The Train Play or The Reckless Ruthless Brutal Charge Of It' was premiered to RAVE reviews by Crowded Fire Theater Company in 2002, directed by Rob Melrose (Cutting Ball Theatre), and her play "Dog Act" had a wildly enthusiatic reception to its staged reading as part of the Bay Area Playwrights Festival in 2002 -- and will most likely premiere somewhere in the Bay Area in 2004 (it's still a secret!). Right now she's back in town to work with us on our first ever co-commission, for which she will create a new play specifically for the Crowded Fire Theater Company's ensemble of actors, in which we will participate as a partner in the development process.
She is a wonderful artist and teacher, and we wanted YOU to be able o take advantage of her talent and expertise while she's here.
We're offering a LAST MINUTE weekend workshop on Sat/Sun, September 27 & 28, 10:30am-2:30pm
The cost is only $125 for the WHOLE WEEKEND!!!!!
The workshops tend to fill up quickly, so please contact us right away.
To register, please reply to this email, or call us at 415-626 0453, ext 110.
We look forward to sharing this extraordinary writer with you.
____________________________________________
Exploiting and exploding "the well-made play:" Structure in playwriting.
>From the Greeks to Shakespeare to Mac Wellman‹and points in between‹there are endless‹and endlessly thrilling‹possibilities in response to the question: What is a play? We¹ll explore some of them, looking at models for theatrical structure, playing with the possibilities, experimenting with form and content, linking ideas, story, character to language and structure.
Liz Duffy Adams' plays include Dog Act, The Train Play or The Reckless Ruthless Brutal Charge Of It, A Wrinkle In Time, A Fabulous Beast and Aphra Does Antwerp, and have been seen at PS 122, Ohio Theater, Syracuse Stage and the Women¹s Project among other places. The Train Play was produced in fall 2002 by Crowded Fire at the Exit Theater in San Francisco. Her Poodle With Guitar and Dark Glasses was published in Applause¹s "Best American Short Plays 2000-2001." She is a graduate of the Yale School of Drama and a member of New Dramatists.
---------------------------------
Do you Yahoo!?
The New Yahoo! Shopping - with improved product search
--0-2104516235-1064505949=:69297
Content-Type: text/html; charset=us-ascii
CONTEMPORARY MASTERS SERIES: LIZ DUFFY ADAMS
a workshop in playwriting with a Master playwright
Liz Adams is a playwright the Bay Area LOVES! A New York writer, her play 'The Train Play or The Reckless Ruthless Brutal Charge Of It' was premiered to RAVE reviews by Crowded Fire Theater Company in 2002, directed by Rob Melrose (Cutting Ball Theatre), and her play "Dog Act" had a wildly enthusiatic reception to its staged reading as part of the Bay Area Playwrights Festival in 2002 -- and will most likely premiere somewhere in the Bay Area in 2004 (it's still a secret!). Right now she's back in town to work with us on our first ever co-commission, for which she will create a new play specifically for the Crowded Fire Theater Company's ensemble of actors!
, in
which we will participate as a partner in the development process.
She is a wonderful artist and teacher, and we wanted YOU to be able o take advantage of her talent and expertise while she's here.
We're offering a LAST MINUTE weekend workshop on Sat/Sun, September 27 & 28, 10:30am-2:30pm
The cost is only $125 for the WHOLE WEEKEND!!!!!
The workshops tend to fill up quickly, so please contact us right away.
To register, please reply to this email, or call us at 415-626 0453, ext 110.
We look forward to sharing this extraordinary writer with you.
____________________________________________
Exploiting and exploding "the well-made play:" Structure in playwriting.
From the Greeks to Shakespeare to Mac Wellman‹and points in between‹there are endless‹and endlessly thrilling‹possibilities in response to the
question: What is a play? We¹ll explore some of them, looking at models for theatrical structure, playing with the possibilities, experimenting with form and content, linking ideas, story, character to language and structure.
Liz Duffy Adams' plays include Dog Act, The Train Play or The Reckless Ruthless Brutal Charge Of It, A Wrinkle In Time, A Fabulous Beast and Aphra Does Antwerp, and have been seen at PS 122, Ohio Theater, Syracuse Stage and the Women¹s Project among other places. The Train Play was produced in fall 2002 by Crowded Fire at the Exit Theater in San Francisco. Her Poodle With Guitar and Dark Glasses was published in Applause¹s "Best American Short Plays 2000-2001." She is a graduate of the Yale School of Drama and a member of New Dramatists.
Do you Yahoo!?
The New Yahoo! Shopping - with improved product search
--0-2104516235-1064505949=:69297--
From sray@sfds.net Mon Sep 29 05:55:19 2003
From: sray@sfds.net (Shane Ray)
Date: Sun, 28 Sep 2003 22:55:19 -0700
Subject: [BATA] Wizard of Oz AUDITIONS
In-Reply-To: <200309251450.HAA13826@neo.manxweb.net>
References: <200309251450.HAA13826@neo.manxweb.net>
Message-ID:
Reminder -- Auditions for Wizard of Oz in Concert (Ray of Light Theatre)
Monday and Tuesday (9/29 and 9/30 -- TONIGHT!!!) at 7 p.m.
350 Masonic Avenue (enter on Golden Gate); San Francisco
If you are auditioning for a principal role: Prepare at least 16 bars of
one Broadway style song.
Those auditioning for chorus do not need to prepare a song.
ALL roles are open.
Info: roltheatre@aol.com
www.roltheatre.com
From Actorpower@aol.com Tue Sep 30 00:14:10 2003
From: Actorpower@aol.com (Actorpower@aol.com)
Date: Mon, 29 Sep 2003 20:14:10 EDT
Subject: [BATA] Only 2 spots left in Amy Berman (Dir. of Features Casting, HBO Films) weekend!!!
Message-ID: <60.35b7c9ee.2caa24d2@aol.com>
--part1_60.35b7c9ee.2caa24d2_boundary
Content-Type: text/plain; charset="UTF-8"
Content-Transfer-Encoding: quoted-printable
Content-Language: en
Only TWO spots left in this awesome weekend!!!!
If you want to be the best actor you can be -- you=E2=80=99ve got to learn f=
rom the=20
best=E2=80=A6 and if you want to be an awesome actor that=E2=80=99s actually=
working and=20
booking jobs, why not learn from those that make the decisions themselves?=20
On October 11th and 12th, we will have the privilege of hosting our latest=20
weekend class with the Director of Features Casting of HBO Films, Amy Jo Ber=
man.=20
HBO=E2=80=99s movie division produces a broad slate of films that run from l=
ow-budget=20
independents to big-event movies. Amy supervises casting for all of the HBO=20
original films including Emmy and Golden Globe winning films: "61*",=20
"Conspiracy," "Wit," "If These Walls Could Talk 2" and "RKO 281," among many=
others. As=20
a Casting Assistant and Associate, she has also worked on a variety of=20
television series, pilots and features including Tony Danza's ABC series "Hu=
dson=20
Street," Nancy McKeon's CBS series "Can't Hurry Love" and feature films like=
=20
"Primary Colors" for Director Mike Nichols, and Disney's remake of "The Pare=
nt=20
Trap. "
We are thrilled at the new possibilities for Bay Area actors to learn from t=
hi
s amazing professional of the casting industry.=C2=A0 With this experience i=
n=20
casting, Amy can teach what is needed in Los Angeles Film and TV Casting aud=
ition=20
situations and answer questions for actors that want to become competitive a=
nd=20
begin working in the LA market. The morning sessions will consist of lecture=
=20
and question and answer. You will have to the opportunity to find our ask=20
advice about everything from giving yourself an edge over the competition, g=
etting=20
good head-shots, constructing an effective resume, preparing for auditions=20
and getting into them, staying visible, to what the best way to approach the=
m=20
is. This is an incredible opportunity to pick the brain of someone that is=20
responsible for the casting of many critically acclaimed and award winning f=
ilms.=20
The afternoons will consist of her coaching actors in scene work, so you'll=20=
get=20
to hear her feedback as well. This will be team taught with Nancy Berwid.=20
Space in all First Take weekly and weekend classes is limited and=20
registration is done on a first come, first served basis.=C2=A0We already ha=
ve people signed=20
up for this class and openings are disappearing quickly. Contact us immediat=
ely=20
to find out the details about this class and how to register.=20
--
Giovannie Pico
(current student and email announcement girl :) )
=C2=A0First Take
www.firsttake.org
--part1_60.35b7c9ee.2caa24d2_boundary
Content-Type: text/html; charset="UTF-8"
Content-Transfer-Encoding: quoted-printable
Content-Language: en
Only TWO spots left in this awesome weekend!!!!
If you want to be the best actor you can be -- you=E2=80=99ve got to learn f=
rom the best=E2=80=A6 and if you want to be an awesome actor that=E2=80=99s=20=
actually working and booking jobs, why not learn from those that make the de=
cisions themselves?
On October 11th and 12th, we will have the privilege of hosting our latest w=
eekend class with the Director of Features Casting of HBO Films, Amy Jo Berm=
an. HBO=E2=80=99s movie division produces a broad slate of films that run fr=
om low-budget independents to big-event movies. Amy supervises casting for a=
ll of the HBO original films including Emmy and Golden Globe winning films:=20=
"61*", "Conspiracy," "Wit," "If These Walls Could Talk 2" and "RKO 281," amo=
ng many others. As a Casting Assistant and Associate, she has also worked on=
a variety of television series, pilots and features including Tony Danza's=20=
ABC series "Hudson Street," Nancy McKeon's CBS series "Can't Hurry Love" and=
feature films like "Primary Colors" for Director Mike Nichols, and Disney's=
remake of "The Parent Trap. "
We are thrilled at the new possibilities for Bay Area actors to learn from t=
his amazing professional of the casting industry.=C2=A0 With this experience=
in casting, Amy can teach what is needed in Los Angeles Film and TV Casting=
audition situations and answer questions for actors that want to become com=
petitive and begin working in the LA market. The morning sessions will consi=
st of lecture and question and answer. You will have to the opportunity to f=
ind our ask advice about everything from giving yourself an edge over the co=
mpetition, getting good head-shots, constructing an effective resume, prepar=
ing for auditions and getting into them, staying visible, to what the best w=
ay to approach them is. This is an incredible opportunity to pick the brain=20=
of someone that is responsible for the casting of many critically acclaimed=20=
and award winning films. The afternoons will consist of her coaching actors=20=
in scene work, so you'll get to hear her feedback as well. This will be team=
taught with Nancy Berwid.
Space in all First Take weekly and weekend classes is limited and registrati=
on is done on a first come, first served basis.=C2=A0We already have people=20=
signed up for this class and openings are disappearing quickly. Contact us i=
mmediately to find out the details about this class and how to register.
--
Giovannie Pico
(current student and email announcement girl :) )
=C2=A0First Take
www.firsttake.org
--part1_60.35b7c9ee.2caa24d2_boundary--
From lhtproduction@yahoo.com Tue Sep 30 03:21:42 2003
From: lhtproduction@yahoo.com (Jedd de Lucia)
Date: Mon, 29 Sep 2003 20:21:42 -0700 (PDT)
Subject: [BATA] Production Position at the Lorraine Hansberry
Message-ID: <20030930032142.18710.qmail@web12908.mail.yahoo.com>
--0-1791677432-1064892102=:18212
Content-Type: text/plain; charset=us-ascii
The Lorraine Hansberry is seeking to fill several production positions for the remainder of the 2003-2004 season. We are most urgently seeking a Technical Director, Sound Engineer, Costume Designer, Master Electrician and Props Manager. As well as Sound Designers, Carpenters, Electricians, Run Crew, Wardrobe, and Scenic Artists. Please send resume and cover letter stating area of interest to: Jedd de Lucia, Production Manager, The Lorraine Hansberry Theatre Company, 710 Taylor st., San Francisco, CA 94108; or via E-mail: lhtproduction@yahoo.com; or Fax to: (415) 345-3983 Attn: Production Manager. "
Jedd de Lucia
Production Manager
Lorrainne Hansberry Theatre Company
710 taylor st.
San Francisco, CA 94108
O: (415) 345-3988
F: (415) 345-3983
lhtproduction@yahoo.com
---------------------------------
Do you Yahoo!?
The New Yahoo! Shopping - with improved product search
--0-1791677432-1064892102=:18212
Content-Type: text/html; charset=us-ascii
The Lorraine Hansberry is seeking to fill several production positions for the remainder of the 2003-2004 season. We are most urgently seeking a Technical Director, Sound Engineer, Costume Designer, Master Electrician and Props Manager. As well as Sound Designers, Carpenters, Electricians, Run Crew, Wardrobe, and Scenic Artists. Please send resume and cover letter stating area of interest to: Jedd de Lucia, Production Manager, The Lorraine Hansberry Theatre Company, 710 Taylor st., San Francisco, CA 94108; or via E-mail:
lhtproduction@yahoo.com; or Fax to: (415) 345-3983 Attn: Production Manager. "
Jedd de Lucia
Production Manager
Lorrainne Hansberry Theatre Company
710 taylor st.
San Francisco, CA 94108
O: (415) 345-3988
F: (415) 345-3983
lhtproduction@yahoo.com
Do you Yahoo!?
The New Yahoo! Shopping - with improved product search
--0-1791677432-1064892102=:18212--